[5] Carroll, Noel, “Essence, Expression, and History: Arthur Danto’s Philosophy of Art”, in Danto and His Critic, ed. By Mark Rollins, Blackwell, 1993, p.79.

 

[6] Carrier, David，History and Theory Vol. 37, No.4, Theme Issue 37, Danto and His Critics: Art History, Historiography and After the End of Art, p.3.

 

[7] Danto, The Philosophical Disenfranchisement of Art, p113.

 

[8] 同上 p115.

 

[9] 丹托：“艺术世界”，王春辰译，见《艺术家茶座》第三辑，山东人民出版社，2005年，第56页。

 

[10] Hans Belting, “At the Doom of Modernism: Art and Art Theory in Competition”, in Action, Art, History – Engagements with Arthur C. Danto, ed. By Daniel Herwitz and Michael Kelly, Columbia University Press, 2007, p.114.

 

[11] Danto, The Philosophical Disenfranchisement of Art, p.23.

 

[12] 同上, p.39.

 

[13] 同上, p.45.

 

[14] Noel Carroll, “Essence, Expression, and History: Arthur Danto’s Philosophy of Art”, in Danto and His Critics, ed. By Mark Rollins, Blackwell, 1993, p.105.

 

[15] 丹托，《艺术的终结》，欧阳英译，江苏人民出版社，2001，第107页。

 

[16] 同上。

 

[17] 同上，第114页。

 

[18] Sherri Irvin, “Are Artworks Constituted by Interpretation?

 

[19] Richard Shusterman, Art as Religion: Transfigurations of Danto’s Dao.

 

[20] 丹托，《艺术的终结》，欧阳英译，江苏人民出版社，2001，第70页。

 

[21] 同上，第45页。

 

[22] 同上，第61页。

 

[23] 丹托，《艺术的终结之后》，王春辰译，江苏人民出版社，2007年，第211页。

 

[24] 见笔者2006年4月与丹托的通信对话。